Eikon Church - Little Rock, AR

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faith & culture: the question of art & accuracy Posted by 06.30.2009 8:30 pm

we’ve explored the intersection of faith and culture here before, specifically in the realm of the arts. this time, though, i’d like to begin by posing a question:

must/should art be accurate?

must art be “correct”? must it be definitional in nature? must it be factual?

i came across a group called B.A.S.I.C. (brothers and sisters in christ) who are based in ireland. whereas i’ve yet to learn a lot about this group, i certainly connected with their “who we are” statement, proclaiming,

BASIC, founded in 1993, is an Irish-based network of women and men (lay, religious, priests) who feel called to play an active part in building up a Church Community which is freed from the sin of sexism and healed from the divisions between men and women.

BASIC believes in a Church which affirms, proclaims, lives out and makes visible sacramentally God’s creation of women and men as equal partners and the Good News of their reconciliation and unity in Christ.

great stuff (which are certainly values that are shared at eikon). what often strikes me about groups/ministries who are committed to fostering biblical gender equality is that a thorough review of jesus’ life and teachings paired with ancient hebraic history is necessary. what then flowed from this quest was a survey of related common cultural misunderstandings. one they identified is that, often, leonardo’s the last supper is often used as ammunition against their cause, with people stating, “well, there were no women present at the last supper!”

BASIC, as a part of their journey in affirming and advocating gender equality, decided to use art as a mode of educating. they discovered that leonardo’s depiction was far from accurate, omitting the following:

women, yet the Passover had to be eaten by whole families including women

children, yet the laws of Passover require children to ask questions so that they can learn the meaning of the Passover meal from their parents

the disciples who prepared the meal during the day

so, BASIC commissioned a new version of the last supper by polish artist bohdan piasecki in which the last supper was depicted in a distinctly jewish context (supposedly biblically accurate). here’s what piasecki created (unfortunately this is the best quality i could find online):

in this, you’ll find everything that was “missing” in leonardo’s depiction: women, children, distinctly jewish surroundings, the “correct” passover food, etc.

while i certainly find this depiction to be amazing in its accuracy and i truly appreciate the educational aspect of this piece of art, it doesn’t lead me to leave completely leave behind leonardo’s version.

first, leonardo’s piece, of course, is amazing. there’s something to be said for good art. while that’s a whole separate conversation in itself, good art trumps “true”-but-bad art—art, music, writing, film, whatever—any day. i’m certainly not suggesting that piasecki’s piece is “bad” by any means (in fact i very much like it), but i simply throw this idea out there because it’s worth mentioning.

more to the point, i think art is primarily representational of much more than “just the facts, ma’am.” art is feeling. it’s emotion. it’s one’s experiences. it’s a point-of-view. it’s contextual. it’s changing.

leonardo’s piece isn’t “accurate” but it tells us something about who leonardo was, the setting in which he created the piece and the culture in which he lived. leonardo’s piece has survived not only because of the information it gives us, but because of the work itself.

last year, the ever-controversial photographer david lachapelle created a collection called jesus is my homeboy in which he represented the life of jesus in the context of very modern scenarios. in this collection, among many other scenes, lachapelle offered his own take on the last supper:

of the three depictions, obviously, lachapelle’s version is the least “accurate” in the literal sense of the word. clearly, lachapelle wasn’t trying to be accurate.

what lachapelle did do, though, was create an evocative and stirring depiction of the last supper that is, quite frankly, my favorite of the three.

i love the diversity (in spite of only males being represented) and a sense of the sordid company that jesus often kept. there’s also a sense of exploration that engages the viewer. i want to look at this depiction over and over and each time i could find something new. it’s also something that evokes a different story based on what mood you are in when you approach the piece. i can see excitement or confusion or mystery or curiosity or claustrophobia or suspicion or scandal or social engagement. it certainly isn’t accurate, but it makes it no less “true.”

so, ultimately, my answer is “no.” art doesn’t have to be accurate. art evokes something much more truthful than the truth. it presents a reality deeper than reality. accuracy doesn’t make or break a piece of art.

so, must/should art be accurate? what do you think?



eikon: not just a bunch of dudes Posted by 05.31.2009 9:31 pm

how’s that for a blog post title??… :)

soon and very soon, i plan on blogging a series of posts that will present our core values and some of the various theologies that are the underpinning in the shaping of this faith community. while i hope to do that in greater detail soon, i stumbled across an article that i thought was worth sharing and worth offering a couple brief thoughts.

one of the things we want to have at the core of our values and dna, so to speak, at eikon is gender equality. quite frankly, we hope that equality across the board is highly valued, but it seems that, in the church, gender equality has historically been a great barrier. to cut straight to the point, we believe that men and women, because they are both made in the image of god, are equal in not only being but also in function. in other words, we believe women can be pastors and teachers and leaders and elders and have full functional equivalence of men.

so, we’re not just a bunch of dudes. :)

not only do we believe it, but over the last several months, as we’ve begun to form the core leadership group for eikon, we’ve intentionally sought out women leaders who will be key decision-makers in our community. the bottom line is that there are just certain experiences and points-of-view that i will never be able to offer being a male. there are certain filters through which i view scripture and how i see god that are simply deficient as compared to a female perspective.

just last night, while having dinner with some new friends/potential leaders at eikon (keeping my fingers crossed…), we had a great conversation about the way we see and perceive god. in this case, our new friend—who is the mother of a 2-yr old child—spoke about growing up thinking god was angry with her and that he didn’t love her because she wasn’t good enough. what struck me was that she talked about how the experience of having a child and being a mother has changed the way she views god. her deep and unconditional love for her child has shown her—if we are truly children of god—that there’s no way god could be angry with her. how could a god characterized by love and grace and sacrifice hate his child? her experience as a woman and a mother has filtered the way she perceives god and certainly, the way in which she leads and make decisions are a product of her unique perspective.

so, without going into too great of detail, i thought i would share those quick thoughts about our position on gender equality. the article that i referenced that spawned this post is from jim wallis’ god’s politics blog with guest blogger mimi haddad. haddad is president of christians for biblical equality, a great organization of “christian men and women who believe that the bible, properly interpreted, teaches the fundamental equality of men and women of all racial and ethnic groups, all economic classes, and all age groups.” you can find more out about CBE here and you can read haddad’s article here.

while the article isn’t a thorough explanation of a biblical view of gender equality, i think it’s a good introduction that can help to stir a dialogue and engage those who are unfamiliar with more egalitarian biblical concepts. for an even more in-depth analysis of biblical gender equality, i highly recommend rebecca merrill groothuis’ good news for women: a biblical picture of gender quality (amazon link). i read this book 5 or 6 years ago and it greatly challenged me and put me on a path of biblical and cultural and relational discovery that has made me much more intentional about these issues and has made me place much more value on women’s vital and necessary roles in communities of faith. (p.s. if you want to get a little sneak peek, i came across this on her website. it’s a fairly significant chunk from the book to get an idea of the trajectory she takes throughout her work.)

we really look forward to the continued shaping of the leadership at eikon with both men and women who want to engage and lead others in the way of jesus—the ultimate example of a life characterized by equality.

in the end, of course, we want to be a community that isn’t just a bunch of dudes. :)